Kung Fu (Wing Chun) - General Background
Author: Thanaseelan Vengadasalam
Date Posted: May 13, 2007
History:
Wing chun kuen is one of the many styles of martial arts, whose
origins are to be found in Southern China and, compared with other
martial arts, it is relatively a newcomer. The term Wing chun is
attributed to a woman called Yim Wing chun, who was the protégé
of a Buddhist nun called Ng Mui. Wing chun is known a soft style,
but is in fact a blend of hard and soft techniques. With reference
to the hard concept, in simple terms this means meeting force with
force, whereas the sort term refers to more evasive manoeuvres and
techniques.
Loosely translated, Wing chun means “beautiful spring time” and
kuen means “fist” or “fist fighting style”. However, many people
refer to the style as being “Wing chun”. This blending of hard and
soft is due to the fact that it was developed by a woman and refined
mainly men. It is also said that Ng Mui once observed a battle between
a snake and a crane. From her observations sprang ideas on how to
create this art. Mimicking animal movements is particularly common
in Chinese martial arts.
Principle:
Wing chun is centered on the Taoist principle of “take the middle
road”. In essence, this says that we should not go to the extremes
and that success is based on balance. If we are on the middle road
we can see both the left and the right paths, but if we venture
too far out to one side we may lose sight of the other. This can
also be interpreted as the concept of the hard and sort principles
– or yin and yang. Yin (feminine side) focuses on diverting the
flow of energy; yang (masculine side) seeks to resist any opposing
energy flow. Yang is primarily seen in the explosive quality of
the striking moves.
“Sticky hands”:
One of the most important techniques in Wing chun is “sticky hands”.
Since Wing chun is a close-quarter system, it is potentially dangerous
for the practitioners themselves, who are at risk of being hit,
grabbed or kicked. This realisation has led to a particular method
called “double sticky hands”.
To the uninitiated, this technique is best described as a hurt
boxer trying to “spoil” his opponent’s moves by clinging to his
arms. The aim is to prevent an opponent striking freely, giving
the Wing chun practitioner the opportunity to control, trap and
break free to strike. The real skill lies in both parties wanting
to achieve the same goal and this has led to exceptional techniques,
in which either one or both parties can train blindfolded. A skillful
practitioner can eventually predict and nullify the danger.
The main areas that “sticky hands” seeks to develop fall into the
categories of sensitivity, power and general fitness. Sensitivity
covers such aspects as the centre-line concept, reaction to direction
change, striking when the hand is freed, going with the power and
not resisting force, continuous techniques (fluidity), and balance
in the vertical and horizontal planes. Power involves guiding power,
aggressive and explosive power, and power control and balancing
power techniques.
About The Author
- Thanaseelan, click here
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Article Source: JKD Street Combat
- online collection of Wing Chun articles.
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