Karate Kata Explained - Part One
Author: Gary Simpson
Date Posted: January 26, 2007
Kata. What is it? For anybody who has not studied one of the classical
styles of karate, taekwondo or kung fu this can be a very perplexing
question. To answer the question I am going to assume that my readers
have no understanding of the term “kata” at all. I know this is
obviously not true. In fact, some readers will undoubtedly have
an equal or even better knowledge of the subject than I do. However,
I have found over the years that it is always better when explaining
to begin in a very basic way and build up from there.
The word kata is of Japanese origin. There are similar words in
the Chinese, Korean and other martial arts but I am going to use
the word kata because that is what I am more familiar with and it
will be easier for the sake of standardizing the explanation.
OK. What is a kata? A kata is a concise set of pre-arranged defensive
and offensive movements performed in different directions and enacted
against imaginary opponents. Many martial arts use kata as the foundation
of their entire teaching structure.
The number of movements in a kata can be relatively few or may
be many. Some of the smaller training kata for beginners may contain
as little as ten movements. However, they can also contain more
than one hundred sequential techniques. It all depends on the experience
of the practitioner and his or her level of ability. Naturally,
the more inexperienced the person, the more simple will be the kata.
For example, the first Shotokan karate kata, called Kihon Kata (also
known as Taikyoku Shodan), consists of only one stance, one block
and one punch - all performed in different directions. The Goju
Ryu style of karate has a similar kata called Gekisai Ichi.
At the other end of the scale, in the Shotokan style, are kata
such as Unsu and Gojushiho. Unsu is Shotokan’s most senior kata.
It contains approximately fifty movements. Gojushiho has two versions,
each of approximately seventy movements, depending on the criteria
used for counting the actual number of movements.
Goju Ryu’s most difficult katas are Suparimpai (the highest kata
in the style) and Kururunfa. In fact, some technical articles which
have been written on the development of Goju Ryu have suggested
that these two kata were originally one. With Suparimpai running
to nearly 110 movements and Kururunfa to almost seventy, it is not
difficult to understand why they could have been split into two.
In all the martial arts which use kata as their base, it is not
only the number of movements which make a kata difficult, it is
the complexity of movements as well. There are also subtle nuances
such as timing, alternating speeds, tension and relaxation, angles
of execution and varying difficulties of stance to name a few.
Most kata have rather exotic translations, many of which are obscure
even to experienced martial artists. Of those mentioned above, “Taikyoku
Shodan” means “First Cause”, “Gojushihosho” means “The First Fifty
Four Steps”, “Unsu” means “Cloud Hands”, “Gekisai Ichi” means “Break,
Hit and Destroy”, “Suparimpai” means “The Final 108 Steps” and “Kururunfa”
means “ Holding Your Ground.”
Some other names of kata which I find personally rather enchanting
are: Sanchin ( The Three Battles of Mind, Spirit and Body), Rohai
(Vision of a White Heron), Empi (Flight of the Swallow), Matsukaze
(The King’s Crown), Gankaku (Crane Standing on a Rock), Sochin (The
Grand Prize) and Annanko (The Light Shining From the South).
There are approximately fifty well-known karate kata currently
being practiced today. Some are common between styles but some are
unique to an individual style only. There are also differing methods
of performing a kata of the same name between different styles.
Some very rare and lesser known kata are also practiced. Then, of
course, there are kata which certain modern day individuals have
made up as personal kata. Many traditionalists do not favour this.
However, some styles demand the construction of a kata before an
individual is allowed to pass a particular rank. These are the “freestyle”
clubs who borrow techniques and ideas from everywhere and anywhere.
All of the kata that I have mentioned above are long standing traditional
kata which have been handed down from master to student through
the ages. They have stood the test of time, some through mere decades,
others through centuries.
Before the excellent recording methods that we have available today
such as computers, videos and books, each individual kata could
only be replicated by memory and rough drawings. This is the reason
why so many discrepancies exist. As each giver of information passed
it on to his next disciple, subtle variations were made either through
poor instruction, misunderstanding or deliberate alteration either
by the master or the student. Perhaps the master perceived that
the student was not ready for the full techniques of the kata. Perhaps
the student believed that he had found a better method of performing
certain techniques. Who knows?
It is suffice to say that for whatever reason or reasons, most
kata are not performed exactly the same between the different styles
of karate. For example, Shotokan, Yoseikan and Shito Ryu karate
all list the five Heian kata in their syllabus. However, all are
performed slightly differently.
If these ancient kata were being devised today there would be no
reason for any discrepancies to occur accidentally. Today we have
thousands of instructional video tapes depicting exactly the method
used in each of the kata that are used in all the various styles.
For further information on karate kata please proceed to Part Two...
About The Author
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Article Source: JKD Street Combat
- online collection of Karate articles.
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